If you write about innovation or creativity there are certain books people will continually tell you to read. I’ve kept track, and the top # of mentions have gone to: Malcolm Gladwell, Connections by James Burke, and A Whole new mind, by Daniel Pink. I’d already read Gladwell and much of Burke, and this week finally read A whole new mind.
Short review:
It’s a light, upbeat read, but with some heavily flawed arguments. It makes strong claims about the value of right-brain, or creative, thinking, and how current economic conditions have created big opportunities for creative people. However these arguments are often one-sided or poorly supported, even in cases where I agree with the spirit of his conclusions.
If you or people you work with are logic centric thinkers, this book will help you understand the value of a holistic view of what our minds do, as well as pointers for how to rediscover the intuitive nature of your mind. However, the claims are arguments are often weak and many do not hold up well in reasonable debate. I struggled mightily with some of his central arguments, which I’ll describe below.
Long review:
I had major criticisms of both the assumptions he makes, and how he makes them, and there are three piles: 1) ignorance of history, 2) unnecessary polarization, and 3) lack of devil’s advocacy. Since what follows is long, I have to say the book was thought provoking, though not necessarily in the way the author intended.
If you haven’t read it, and don’t want spoilers, go read it before continuing. Ok, you’ve been warned.
Ignorance of history: Right brains have been dominant at other times: namely, the European Renaissance. What happened? Why didn’t the world change in the ways he describes ours will if we can get better at Right brain thinking? He doesn’t say. The rise of Impressionism, Cubism, Rock music, Surrealism, Punk rock, Free Love, Video Games, Movies, Music videos, the birth of Greek philosophy and drama, and other huge cultural/political contributions driven by R-dominant (his term) behavior aren’t mentioned either. R-dominant thinking is old: it may be so old it’s new again, but to frame the argument as a “Whole New Mind“, without any hat tip to things pre-1950 is glaring, or as Tom Standage might say, overly chronocentric. The shifts between L to R dominance at the culture level, across time, has been discussed by other authors, from Leonard Shlain’s excellent Art & Physics and to some extent, Daniel Boorstin, but no reference from this line of thought is mentioned.
Polarization: Isn’t the best possible world one where we use all of our talents, as appropriate, to the problems at hand? Wouldn’t it be just as dangerous to have an R-dominant world as it is to have a logic, or L-dominant one? The tag line for the book is Why right-brainers will rule the future. Rule? Is that for the best? I bet he’d agree our rulers should be people who recognize the value of both kinds of thought, and that he’s fighting for a return to some kind of balance, but the book doesn’t say so (If I does, I missed it, despite a careful read). Perhaps I should have read the book as a manifesto, a provocation, but I found that hard given the attempts at logical arguments and statistics he uses in his arguments.
Devil’s Advocacy (DA) : Every book makes a bet on a core theme and then tries to live up to it. But what should a writer do when writing chapter 6, when they discover a good counterargument to the title of the book? Or several major points? Ideally at least one of them is discussed ( however briefly), hopefully they’re mentioned, and minimally they’re referenced. I didn’t find any kind of refutation or questioning of the core thesis in the text or in the notes. If I’m guilty of this in my books, fine, I’m a hypocrite and I’ll do better next time. But that said, my DA questions included:
Hear hear. The worship of creativity and so-called right brain thinking continues the myth that invention and creativity are somehow pure magic. Not so. There’s a lot of hard work, practice of skills, and a synthesis of thinking required. It’s attractive to those who say “I wish I could draw” but give up when their first attempt isn’t a masterpiece.
I have to agree that it’s those people who can use their whole mind to approach the world from various angles who are more likely to find the best solutions to problems, and make the best art. But they’ll still have to work hard.