Archive for the ‘London underground’ Category

  • By Scott Berkun on March 18th, 2010
  • 17 Comments »
  • business of writing

How I make a living: in detail

In a series of posts, called reader’s choice, I write on whatever topics people submit and vote for. If you dig this idea, let me know if the comments, and submit your ideas and votes.

This week, the topic is: how do you manage your business as a speaker, author and consultant.

For starters, some of this is covered in chapter 3 of Confessions of a Public Speaker, which you can read free online here.

I view my primary business as writing books. It’s primarily the writing of good books that has led to everything else I get paid to do. Oddly, speaking and consulting are more lucrative than writing books, but I’m not driven primarily by money. I make decisions with the primary goal of being able to write books for the rest of my life and live comfortably while I do it.  I also love my freedom of time: I can stop working for a few days, or work very hard, pretty much whenever I want, and that is a feature of my life I don’t want to lose. I’ve been willing to earn much less money to have much more control over my time.

Quite frankly, the major success story of my professional life is about my control over my time. I’m one of the freest people I know. I’m not obligated on a daily basis to work for anyone. Most days I don’t have to be anywhere at any particular time. When I’m working for hire I’m often paid to travel to cool or interesting places, meet smart, passionate people and learn and see things few get to experience. I find this lifestyle way more interesting than any amount of money could compensate me for. I feel very lucky and happy and I protect my lifestyle accordingly.

In terms of ballpark revenue, it goes something like this:

  • Book Royalties & Freelance writing: 40% of income
  • Speaking fees: 50% of income
  • Consulting fees: 10% of my income
  • For the last two years I’ve earned between $100k and $120k a year.
  • But these numbers all ballpark – it fluctuates every year – it’s not a salary.

It’s worth noting:

  • When I quit Microsoft in 2003, my salary was higher than the above figures.
  • My goal when I quit was to earn 50k a year, a number that sufficiently covered my expenses at the time. The idea of making a living independently was terrifying enough as I was starting from $0 income, so the first goal was to make it work at all. I still think of ~50k as the low mark for sustaining all of this (Before you quit your job it’s good to work out what your lowest sustainable level of income is, and work to make it as low as possible before you quit).
  • My income does vary from year to year and it’s hard to predict. The primary risk I have, in balance with the rewards above, is uncertainty. I have no guarantees this will continue.

How the business works: It’s very simple. I write books. I go out on the road and work hard to promote them (not to mention the work of writing them). When I speak, and do well, people tell others about me and the books. I have some very popular videos on youtube and that helps too. The books, if they are good, get good reviews, and sell. Requests to speak or consult come in through email or the web site and I prioritize and schedule them, or turn them down if it doesn’t fit the calendar. Unless a new book is coming out, I do little active marketing or promotion, as the frequency of speaking gigs, and the popularity of this blog, does much of that for me. If things get quiet I might tickle people who have hired me to speak before, but that has almost never happened. Things were much harder when I started, but the success of Making Things Happen catapulted things forward, as each successive book has.

On Book Royalties / Freelance :  I have been fortunate to have three successful books that continue to sell. But there is no guarantee this will continue. This is an external motivator that helps drive me to write the next one, and as I mentioned my primary love (lust? passion? insanity?) is writing books. I get requests now and then to write for magazines and take them when I can, but it’s not yet a consistent or reliable income source for me.

On speaking fees: Keynote style lectures are the most lucrative activity I do based on time. I’m typically paid $7k, plus travel, for keynote style lectures. This is in the mid-range for what pro-speakers charge (see Chapter 3 of Confessions if you wonder how on earth anyone, me included, is worth this much or more). I take many of these gigs as it makes up for the ridiculously less lucrative time spent writing. I used to do more workshop/course type stuff, but there has been enough demand for lectures that I do this much less. Speaking of any kind also has the side effect of promoting the books and this blog, which has residual benefits down the road. I do plenty of speaking engagements basically for free when it’s for a good cause, if I’m a fan of the company and want to go there (e.g. Netflix) or it’s a good opportunity to promote myself and my work (Harvard, MIT, Google, etc.)

On Consulting:  I do very little hard core consulting.  I have the luxury of being picky about clients – often my consulting engagements are follow-ons or additions to speaking gigs.   This makes sense as people know me and the trust required to be effective as an outsider is there.  I do very little UX/design related consulting anymore, which is funny if you knew me pre-2003.  I think of consulting as ‘brain for hire’- I sit with teams, review plans, critiquing projects, and advise leaders on what I see based on the hundreds of other work environments/cultures/projects I’ve seen and learned from. Speaking is preferable in that it’s easier to give clients a sense of satisfaction.  I can finish a lecture and know exactly how much value I just provided. When I leave a consulting gig it’s very difficult to measure value (despite what major consulting firms claim) and that makes me feel less good about taking people’s money. I do like money, but I also like feeling I earned every penny of it.

On Blogging:  I have rarely viewed this blog as marketing. I’d always seen it primarily as writing and connecting. Good writing markets itself, and me. So I write here mostly as an exercise in short form writing, as a way to connect, and to help get my work out there. That’s part of why there are no ads here and why I try to avoid most of the annoyances you find on other blogs. It’s just me, you and a good, honest, intelligent discussion (at least your half is – hahaha :)

On Agents: I don’t have one and never have. I’ve looked for one with each of the last two books, but couldn’t find one that I liked or that was interested in the particular book I was working on (or was interested in the long view of representing me).  I’d like one, but so far it’s been way more work and frustration than writing the books themselves. I haven’t needed a speaker bureau (e.g. agent), but now and then requests come in from them for gigs I would not get otherwise and I say yes.

Secret to my success: I attribute my success to having been at this for years. There is no secret.  Without the successful books much of this would not be possible – (good) books still provide a credibility in the world that most blogs do not (and if you want advice on writing a book, this is for you). I am an army of one, not part of consulting firm, so I only have one calendar to fill which makes me lean and agile, which helps. It’s no secret, but it does seem unusual, that I feel intensely grateful to the universe I can make a living doing what I love, writing, in 2010. But the real secret is all of the people whose name I never learn who recommend my books, blog posts, and lectures to their friends, bosses and coworkers. I wish I knew more of you, but in lieu of that, thanks. I think about you often as I depend on you – I’ll try to keep up the good work. Please let me know if I don’t.

Also see:  Should I quit my job now

If there’s more you want to know, ask a question below.  Hope you appreciate and respect my candor here.

(Hat tip to Lynn for suggesting this topic)

  • By Scott Berkun on April 14th, 2005
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  • London underground

London book update

To date, I’ve sent the book proposal to 13 publishers and editors. Current success rate: 0%.

This isn’t a bad number. There are tons of stories of 50, 100, 200 rejections before finding a publisher. Pirsig’s Zen and the art of Motorcycle maintaince had over 100 rejections. It’s such a speculative industry, with such high barriers, that these numbers are normal. I’m not giving up yet. In fact the larger the number of rejections I get before I get it published, the better the story I’ll have to tell :)

But for now I don’t plan on focusing on the London book until I have an interested publisher. There’s enough of a book there to land a deal – finishing the book won’t make a difference.

  • By Scott Berkun on March 13th, 2004
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  • London underground

Mailed London book proposal

Mailed out the London book proposal to several publishers. Dropped them off in the drive thru mailbox. Heard them thud at the bottom, and thought of a wastebasket.

  • By Scott Berkun on February 12th, 2004
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  • London underground

Chapter 4: London

Just finished Chapter 4. Wrote a total of 10000 words, but the current version is only about 5000 long. This ratio is typical. Usually when I finish an essay, or a chapter, I’ll have a pile of fragments, stray pargagraphs, about equal in length to the essay itself. This doesn’t include fragments that I wrote, and deleted, which is probably signifigant. This only counts the fragments that I chose to keep around in case i needed them later.

There is a shape to these chapters now – I know how to write these kinds of essays now, and I can see the whole thing as a book. After Frank and I agreed that we had two different books here, one focused on writing with supporting pictures, and one focused on pictures with supporting writing, the writing has been easier. I’m focusing on the first, he on the later. The path is clear.

Draft of the book proposal is together. I read several books on writing these things, and went back to look at the ui design book proposal I wrote in ‘99 (which was rejected). It’s in good shape. Once the draft chapters are together We’re ready to go.

  • By Scott Berkun on January 19th, 2004
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  • London underground

Daily writing plan Part 2

The daily rhythm is better now. I get up – I write. When I get stuck, I run or walk the dog. Something physical. When start to get lightheaded, I eat. Repeat. When things are going well, perhaps one session in three, I can go for several hours. More often it’s tough going, and I can only go a half hour or so before I need to do something else. Playing guitar is a great 5 minute break – I grab the guitar from it’s stand just an arms length away, belt out a tune or two, and I always feel better. Singing songs while playing guitar gets stuff out – and it relaxes the whole creative process for me. On tought days I’ll keep the guitar in my lap, since I can’t get very far without wanting to get back to something that feels good.

This is my pattern every day – Saturday, Sunday, holidays. I write every day. If I can’t write about London, I write about something else. If I don’t want to write, I have to at least write something about not wanting to write.

  • By Scott Berkun on January 15th, 2004
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  • London underground

Chapter 3: London

I’m working on chapter 3, and it’s been slow. Pulling teeth. Not fun. I get little ideas, and run with them, but they usually amount to stillborn paragraphs and suicidal sentences (successfully suicidal). I also have pathetic phrasing, messy metaphors, and goofy grammar. Usually I go through this phase for an essay or for a chapter, but it doesn’t take this long. Usually after 3 or 4 hours I have a decent pile of ideas, and some of them start to stick together. Hasn’t happened yet. I have at least 4 near-paragraphs that are all only suitable as opening paragraphs. None of them currently work.

Scott's Bestselling Books
  • Confessions of a
    Public Speaker
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  • The Myths of Innovation
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  • Making Things Happen
  • The classic and bestselling handbook for any project leader, packed with tactics and stories.
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